Schoenberg: Suite for Piano, Op.25 (Boffard) - YouTube.
Prelude of Schoenberg's Suite, Op. 25 Richard B. Kurth This essay develops a technique of phrase analysis using the pioneering work on mosaics by Donald Martino, and especially the more recent work in this area by Andrew Mead. This analytic method takes as its starting point a per- tinent mosaic on row-forms employed in a passage. The mo-saic polyphony is constituted by the specific settings.
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I described Schoenberg as a gateway drug: difficult to take at first, but the key to the marvelous psychedelia of twentieth century music. In retrospect, such a description was unwise, and several audience members were concerned that I was encouraging drug use. Far from it! Music is the only drug I advocate, and my inner ear has long been intoxicated with the euphoria of Schoenberg’s art.